Wednesday, October 14, 2015

October is here, and Guy Pearce is single again.

Time to take a trip to Australia!

I am a victim of the Cosplayer's Halloween Curse!

There's no hiding that this month is probably (and hopefully) the stretch of the Great Time of Derp, which has spanned for over a a year of a lot of derp. Despite my rougher looking schedule, I was encouraged by my recent derp of not being able to hit the Highland Games because the weather was so awful to treat myself to looking forward to dressing up for Halloween. Which basically means, what do I want to sew? 

My friends and I don't often have huge plans for Halloween, but we love the novelty of dressing up, yet again, as if we don't nearly three times a month. But it's uniquely fun in its own way, because you get to dress up with friends who don't normally do other than on Halloween.

Given my lack of last year's posting, I didn't get to mention much that I went back and fixed my old Usagi seifuku to attend a friend's party. I made the costume for Comikaze 2012, and wore it once after unexplicably losing my wig, although it's really hard to figure out how I lost it in the first place. Either way, the sleeves hadn't been my best, so this time around I went back and redid them so that they were eons more comfortable. I threw in the towel early on Halloween mostly because PMX was a week later, and I had to finish Shiro and Tsukumo, which had taken up most of my spare up until then. It's also partly why this year, I actually want to make something fun. It doesn't have to be overly complicated or over-the-top, but really just fun, and any other adjective that sums up "fun".

I've fallen however into the cosplayer's dreaded curse: I don't know what I want to be for Halloween.

Monday, September 14, 2015

Post-PMX and the start of Australian Movie Month!

Australian movies, here I come!

Or rather, many movies in general.

Things have been winding down since coming back from PMX! It's crazy to see that I'm finally working on my way to update and get things rolling. I think that in many ways, it was an eye-opening experience for me.

I don't really need to begin with the same old story that work, school, and life had been so overwhelmingly busy that although I have been productive with cosplaying, I really haven't sat down to reflect upon how much I work at things. The benefit to that is really living without the necessity to blog, to simply live and keep on going forward, but another beauty of life is also looking back at posts and absorbing those good spirits and remembering all of the great things you can accomplish, even against all odds.

PMX for me this year was probably one of the hardest conventions to get enough time to get things done for how I wanted them to be. For starters, I had great plans with my friends, but just as they have their own concerns, the closer you get to the con, the more realistic you see your chances of finishing your projects with them. Unfortunately one by one they had to bow down for this time. One of the biggest conflicts had been the schedule change. PMX is my autumn convention, so I usually know to get settled into school, and then when things are lukewarm, just before the holidays, I can enjoy it. Last year, I was super happy to attend that convention as an opportunity after recovering from my really horrible sciatica. This year, it was like recovering from severe overworking.

Without needing to say more on the matter, my job situation had prevented me in more ways than one from not just having time to sew, but actually have opportunities for sleep, proper rest, and other essentials. So by the beginning of August, I had begun losing hope that I wasn't going to get any time to finish anything, and I made a last minute decision to remain at the job position I am currently at.

But I did manage to get PMX off for that weekend, so I focused on finding time in between everything to start getting my projects done. My two plans had initially been Luna from Sailormoon, and Yasuho from JoJo's Bizarre Adventure, with Yasuho being my masquerade cosplay.

Although I'm all for masquerade, this time around I was very nervous about joining a collaboration skit, and lacking the proper time to get anything done.

Yasuho's little progress collage.

Within a few days before, I started working on Yasuho. I had gathered materials for both early on, but to sit and sew had been a whole different ball game. Mostly everything on the top had been nearly completed by the first night however, and I managed to make it easier to apply without compromising the trims and other additionals.

The skirt as well had been a simple circle skirt, although I prepped it to hold up about thirty roses along its hem and skirt fabric, which I am super happy with. The flowers were then attached and left to dry for most of the evening in an open environment. I had to make sure they didn't fall to the force of gravity.

A busted Utena-inspired prayer circle.

I think the true highlight of this costume however had been my artsy collaboration with my sister, who helped decorate a pair of shoes for me to glitter around the convention.

I absolutely adore these things.
So about three and a half days before the convention, I thought about how I wanted to finish Luna, or at least something that brought my joy to wear. I had skimped out on cosplay events to go to this convention, in a summer of very limited days off if any, and I wanted something to show for it.

Deep down, I felt a little sad that my friends had to drop from our Sailormoon idea. Even though I'm accustomed to finishing costumes alone most of the time, I felt like maybe I had pressed my hopes solely too much on it, and I found it hard to envision me wearing my costume and not seeing my friends in theirs. The joy was sharing our trio together.

So a few posts ago, I had mentioned that I had begun rereading Fushigi Yuugi. Although I thought I would cry, I didn't, but I felt rather satisfied with myself in an odd, tranquil sort of way. I thought that of all manga, I would be overcome with nostalgia and an existential pondering of why I felt this way, but I felt actually like it soothed a part of me that had been very hurt from all of these recent experiences.

Although the manga's a far cry from what Watase's writing or any modern "classy" fiction is, the story has always been meaningful to me. I certainly interpret it in a different way now in some areas, but very similarly to my core as my twelve-year-old self did the first time she picked up the manga. And in all these years, Miaka has had a special place in my heart.

Thanks to a kind and supportive friend, I sat with my thoughts and played around with the idea of switching my cosplay to something that right now could feed into those good feelings of hope, courage, and happiness. My instant thought was Miaka, because while her Suzaku no miko outfit from the anime isn't a huge, detailed project, it's beautiful in its own way. I instantly felt this emotion to do it, and I saw myself feeling so happy in my costume, no matter what.

In about twenty minutes, I found my supplies in my fabric stash, and began working on the red robe. I felt as if someone had taken me by my shoulders and let me soar through the night with my sewing. By morning, I had worked on both cosplays, and had made a note of what materials I'd need.

My lineup (although I didn't get a chance to wear Momoko for this event!)
 I went with a darker red shantung for Miaka's robe, since I had recently seen some of the images from the Fushigi Yuugi musical. I'm digging more than anything Yutaka Kyan, but that's a different story.

Although it was kind of a risky move, I went straight into the Joann trims thinking that I would find exactly what I needed for Miaka's neckband, since I gravitate to using trims at any fun possible moment. I went ahead and found this really neat trim, which I placed an underlayer of gold satin. Then on the side added another trim, and not seen here, midnight blue ribbon to give it that contrast.

I am the queen of retarded mirror shots.
So I finished pretty much adding the neckline and then all of my ribbon. I managed to have just enough to get all of that properly sewn in, and the result was really awesome!

Where I usually hang my costumes because clearly my background sets are on point.
 Already I was beginning to get excited about wearing Miaka, but my next process would be making the under robe.

So I followed the same robe pattern I had used for her robe, but it took me a little more to figure out how I wanted it to look like and give it that billowy effect but achieving two major requirements:

  1. It needed to have some drama on the bottom.
  2. It needed to have some opaque because I'm too embarrassed to go full sheer.
So I redrafted my pattern and split it on the waist into a top and half bottom of the robe pattern. I then cut out three layers of the bottom of each skirt panel: one of chiffon, one of icy organza, and one of a cream-colored peachskin I had leftover from a previous cosplay. I sewed the three layers together, then attached the front and back of each panel. By the time I got everything done, the top was made of the same peachskin so that it wasn't sheer, but the bottoms were made of individual layers that covered from the lower waist, but had drama on the bottom. I then serged all of the pieces, and the hems.

As you can see, it gives out the effect of having these billowy skirts, but I'm comfy on the inside, covered, and I still achieve the same outcome I want to make it accurate.

 With more ghetto goodness, I then tested out the under-robe without the sleeves yet with the robe, and was pretty happy with how the bottom looked. It has a bit of a train, which I like, but at the convention, it wasn't too much of a hassle to bring up whenever I walked around the convention floor.

So mind that this had been in about....three hours away or so from Day 1. I was pretty much posessed to finish this cosplay to wear for Sunday (Day 2) before changing into my masquerade cosplay for that evening. I then quickly drafted my sleeves, which I had some prior experience with on Kougyoku, yet I overlayed a very glittery organza into my sleeves so that they have some sparkle and texture, but none of the glittery goodness smeared all over my cosplays. Then I made the ruffled collar by folding over long strips, basting them, and then pulling at their ends to make some gentle ruffles, and then were serged and topstitched over to hold.

 This is probably one of my favorite cosplays ever. Even just from collecting my progress shots, I was astounded at how much work I had gotten done, and much more evenly paced, than other projects.

I wrapped up most of the fabrication by completing my bow and sashes for the evening, and then got ten minutes for some shut-eye before prepping in Kaoru.

As usual, being a complete goober.

I probably had less than half an hour of sleep in on me for the past days, but I was over the moon about my cosplays and going to the con that I really just went for it. Although I had other cosplay plans beforehand, I tossed most of them out for this con to really just get what I could done in a short time, and I feel like I really made the most of my time.


 This is me being a complete goober and at a loss for words for meeting Hikami Kyoko for the first time ever, after telling her what a huge Wedding Peach fan I am. I was in near tears. She was one of my huge reasons for going to the convention. She was so sweet!

So after my hurricane of vindication and shoujo magic tears, I got home after a very fun day at the convention. Although it was a small convention, it's definitely on the relaxing side, which is much welcomed! There's not a lot of conventions who have that sort of aura just because they are located in big cities or people put so much tension on them that you forget the fun of it. After all this time, it was so great to just wind down and get to be in costume, eat yummy food, and blissfully dream about those magical grills.

So my little interlude goes to Yasuho ~ so to go fast-forward for a moment, I have yet to have a picture of me as her! I took some, but the experience was way too fast for me to stop and see what I have in my photo stash. Needless to say, masquerade was super fun, and it was great kicking it together!

So when I got home, I got back to work to finishing up Yasuho, who needed application on the flowers mostly. Then for Miaka, I had most of the fabrication done but needed my accessories, so I took a quick nap and then got to work on my crown.

I had this assortment of earrings, hairclips, pins, buttons, and a load of other gunk I collected just for this project, so one by one, I began figuring out how to make an ornate version of her crown. I also fished out my brown bun wig, which is actually a wig for my Katase Shima cosplay, but it has a new purpose now.

The crown is actually comrpised of two long, conjointed and double-backed strips of craft foam and were covered with gold bias tape I had left over from Caster, which gave it a nice, metallic effect. Then I took a hairpin (the glittery white piece) and attached the center gem over it. The hairpin has large teeth so it can stay put in my wig, and I secured it by attaching another back one just in case. I then added rows of the pink gems, and then the two side pieces are made of earrings with gems attached on them. Not featured is the front cornice, which was made of a hairpin modge-podged and then repainted in gold to complete the look.

I am shocked that it actually looks like a crown. It's very lightweight, and it's well secured on both ends.

The battle station in full swing.
Here's a little breakdown of some of the clips and pieces used. The flowers have clips and I replaced them with lighter colored ribbon, since that pink was as bright as the sun baby from the Teletubbies, and I didn't wear the matching earrings this time around because I had to change into Yasuho.

So once again, lacking any time to sleep, I got all ready in my cosplay, and got a quick but victorious snapshot of my full Miaka cosplay!

Suzaku no Miko reporting for duty!
 I have yet to have pictures of the full cosplay, but I'm beyond words happy with how much fun I had being in this cosplay. Words can't express the experience of making this and seeing it well-made, durable, and accurate to what I wanted it to look like in my dreams. Not to mention, being that gluttonous but lovable little shoujo for the day.

In many ways, she made my convention, because while masquerade happened (which I shall report as well too!), my magic was having the chance to sew something I truly loved and brought me back to why I cosplay.

Coming back from the convention, I reflected a lot that everything had happened so fast. Most cons tend to come like that, because it's so easy to be wrapped in all of the important and realize how little time you have left to sew. But it's really true when they say that you can make your lemons into lemonade, when you truly believe in it.

Because I would really like to get into plans of another convention before Anime Los Angeles, where I have a skit in the brew with the friends, I have three new plans to work for the next couple of months as I get my rhythm going. I definitely want to finish Luna, and then I am making Kururu hopefully for Akiharabara Expo, as well as my Rose Witch project! I am super excited for her, since she will blend a lot of work I have done over the past few months! 

Saturday, August 8, 2015

The Journey to Senbonzakura no Kenshin

Today is a happy day!

And brings a week of creativity (and a lot of work!)

I got a job offer with better hours for school! Recently that had been taking a toll on me. My summertime was mostly working, which is great, but the school year brings a lot of demands. I got a job opportunity to have work while going to school, and it's closer to my interests in gaming. I'm definitely excited!

Hopefully this will bring a realm of stability I have lacked a little over the year. Like I mentioned before, I am blessed to be able to fit a lot of my interests in with my priorities, and it's a constant evolution. It is difficult due to my school hours to factor in a really heavy workload, so I hope that it will allow me to be able to care for my health too! I celebrated a year of progress on my back, and I want to keep on going!

I'm currently in progress to start my PMX cosplays just before I transition out of my old workplace. Most of my sewing will start this week, and I'm taking advantage of tomorrow's pattern sale to see if I need anything else for the while.

I've spent this week also watching Akatsuki no Yona finally, and then rereading Fushigi Yuugi! I'm so torn in wanting to do another cosplay, I may make Miaka, but I keep on thinking, "Control yourself, Kagura, you have so many designs and plans already!" Like it stops me from making things. I really love being able to catch up on some stuff over the year as the new fall anime season starts. I'm super excited for K: Return of Kings!!

I also have to catch up on my anison collection! I haven't gotten new singles in a while, and I need to get some new music! I last bought Exist by Angela...does she have a new single already?! Also Animelo! Next year, I'll be ready for those tickets!

For starters, a recent photo of me since I don't often put one because I'm naturally a goober.
So in midst of me catching up, I need to find out who to credit for these, but I'm super happy with some of the shots taken from Fanime of us on stage! I wanted to chronicle a little bit about my journey to making Kaoru and our skit, Senbonzakura no Kenshin.

Shii and I often wonder how my brother can see through his bandana.

I'll edit this to credit the photographer, because these are delicious! I mentioned that I rewore Kaoru recently, and I may have some time for Nisei Week this upcoming weekend. Maybe I'll be able to stop by and rewear it (or have a moment of durr and make a yukata for the event lol).

The skit was really fun to do! It took a span of six months of planning to get everything going. A few years back (so some entries ago too) we had conceived the idea of a Kenshin skit for Fanime 2013. We ended up switching to xxxholic instead when plans changed, so we left Kenshin aside as an undetermined project. After Anime Los Angeles, we were really surprised and pleased with the outcome of our Angel Virus skit that we ended up brainstorming som new ideas for Fanime.

We toyed with a few other ideas until I suggested for us to revisit Kenshin. It had been on everybody's minds. One of the issues with the skit I had personally had been how intimidated I was on making kimonos. I lacked a proper pattern and I didn't really understand what happened when I was working on Yuuko, although I kind of piced some ideas up by the last half of it. But I felt compelled to challenge myself, as did everyone in the group to make a skit fitting to the spirit of Kenshin.  

I love this photo of Lyric and Shii's epic fight, which I still don't know how my brother can see.
We started planning out the basics of the skit in late January, and I designed the skeleton of the skit's choreography since we wanted to make it more of an interpretive dance with a story. We figured out our roles early, although Lyric had initially chosen Aoshi for the final fight.

During the February-March season, we began working on setting up rehearsals. We rehearsed around one to three times a week, sometimes as a duo with Shii or Lyric, while other times as a trio with my brother and Shii, or Shii and Lyric. We made the most of the hours before and after work, and even sometimes stayed up past late-night park hours, with really confused park rangers.

Around that time, we also began preparing for our costumes. I had to both make my costume for Kaoru and for my brother, who chose Sanosuke.

To begin: I have evaded making this cosplay for years, mostly because I admittedly am intimidated by kimono and lacking the necessary knowledge of making one that doesn't look like it came straight out of a cheesy 90's Halloween catalogue. But I love kimonos, and after this experience, I surely will work on more. 

My biggest challenge for Kaoru was making the flowers and the concept for the kimono. I purchased a Folkwear pattern for the kimono to modify and add a lining to, and I worked on the flowers in various test stages to get the look that I wanted.

Progess while watching Frida.

I started out with this idea to overlay a sparkly fabric to make my flowers. My first attempt at creating the appliques out of them were a little challenging for me, mostly because the organza tended to move around. I eventually dropped that idea to go in favor of more traditional flowers.

Flowers, flowers, flowers!

My machine is a little on the older side, and it doesn't have as many cool gadgets as other snazzy new machines, so my satin stitching function is actually a small crank you have to hold down as you work through each of them. I basted them onto their placements before I could get to satin stitching them down.

It was kind of nerve wracking throughout the experience, mostly because my hands suffer from carpal tunnel. Yet they became these precious things:

Overall, there were about twenty six flowers made and were then trimmed and cleaned out to prepare to place on the fabric. They contain stabilizer in the back, and and were then laid over the individual pattern pieces first before sewing everything together.

I then went off to work on my first under kimono piece (which I should apply the proper terminology). I had initially chosen some different fabrics beforehand, but I went with this taffeta I found in the proper color. It was light and airy, and it's very easy to wear. The shinier side became it's own lining in a way.

I then completed the rest of my kimono, as shown here sans the neckband. This was roughly the night before we had to head out to Fanime, so all of the flowers had been satin stitched into the pieces, the pieces were sewn, and the kimono had been lined with another fabric I previously purchased but never used. The kimono is actually made of a vivid blue doll satin, courtesy of our favorite seller at the fabric district. Although I had intended to make my kimono out of silk, it ended up going closer to my vision.

The kimono pattern I used was from Folkwear, and it's a handy pattern to make a simple kimono out of. I had previously admittedly made a really bad kimono for Yuuko two years before (for the same con, ahem), and it had been a disaster to figure out the mobius strip that is the lining. However, it came a little more naturally this time around.

By the time this was all done, I had a few hours before packing up to work on Sanosuke for my brother.

I took a karate pattern and whipped it up. It's made of a heavy bottomweight cotton to give it that sturdy feel to it. Then I satin stitched the kanji on the back:

My brother got a lot of awkward looks from the local Asian restaurant when he stopped by for directions wearing this.

When we got to San Jose, I went ahead and finished the pants for Sanosuke, which I had cut out here, and then painting the branches on Kaoru, and handstitching the neckline. For the most part, the costumes endured much of our performance, which is a huge plus!

Overall, this skit means a lot to our group and to myself. I have yet to write more on how our Angel Sanctuary skit went, as well as subsequent projects, but I am so glad that we can look at this and really experience the joy that it was to perform it.

And here are some more recent photos of where I've worn Kaoru!

Credits to American Cosplay Paradise!
I recently wore Kaoru again to PMX 2015! I enjoy this cosplay so much, and I look forward to wearing it again soon!

Friday, August 7, 2015

Because I'm lazy, I'll change the old post pictures later.

And as usual, it's 3am here and I'm completely elated to be journaling again.

I honestly feel like I own my blog a personal apology for not keeping up with it, even though not keeping up with it feels like a good sign of actually living life, yet I like chronicling things, and it's one big paradox!

And as usual, I have my portfolio site but I cannot abandon this blog at all. I won't. I decided, and it's final. If I could find an awesome way to integrate it, that would be amazing. I'm don't want to just let things go by without getting the chance to talk about them, because otherwise I feel like it just fades away in a sense.

I spent today ruminating that my work situation, which I have mentioned here before, has been extremely busy and without sugarcoating it, difficult. It is severely understaffed and I spend fifteen hour workdays alone, and while I'm blessed to be able to motivate myself, I'm definitely suffering a little creatively on the inside. Cosplay and art fuels all of that goodness in me.

All is not lost however! Despite my lack of updates since 2014, I've actually done quite a lot more productively than I have in most years. I think I'm transitioning out of some of the early struggles in my sewing, where I felt like I was doing something right, but I was really falling short in it. Costumes are always like foreign yet familiar puzzles to me, and I am getting a better sense of how things work.

I have been doing some great work in midst of 35-40 hour workdays and 4+ full-time classes in school! I chronicle some of it on Facebook, but I want to be putting it out in other places too. I definitely want to be a presence that can be helpful and supportive towards other people's creative endeavours.

I can only assume that I've survived the Great Era of Derp thanks to art! 

I'm a goober in a blue kimono.

So in summation of my crazy cosplay projects since last time:

PMX 2014: Tsukumo from Karneval, Atago from Kantai Collection, and Shiro from No Game No Life, Shindo Shuichi from Gravitation
- Con Experience: PMX started out as the, "everything will go as planned" convention, but then suddenly, things went awry and unfortunately out of our four person skit, Lyric had to sit out due to a last minute emergency and Emi was unable to attend the con at the last minute. However! Shii and I had a super fun skit experience! We dressed in our Gravi outfits and sung karaoke like goobers, performed to dat~Booty Swing, and had way too much fun with ribbons and roses. I really love my Tsukumo cosplay and probably for the best season, is that it was my first cosplay coming out of my experience with my back!

Anime LA 2015: Alexiel from Angel Sanctuary, Kinomoto Sakura from Cardcaptor Sakura, Matsuoka Gou from Free, and Anzu from Indolm@ster: Cinderella Girls
- Con Experience: ALA is a special convention. It was rainy and gray, and I almost feel like the con was mourning a little that it's moving next year, but it's still so magical on its own! We performed the skit that we had been waiting to do for over a year, and we did it! We got a great reaction and I am so happy to see us in those skit videos and see our costumes for the journey we had gone through. I was super giggly all weekend for that reason, despite that I was half asleep thanks to the decision of making not one, but two 24-hour cosplay challenges. So it was like 2 in 24. Bahahahaha what is sleep!

HanadokiCon: Lacus Clyne (Final Plus) from Mobile Suit Gundam SEED, then re-wore my Sailor Stars Usagi seifuku
- Con Experience: This was a last minute plan. My friend asked if I had wanted to go with her to the con for a weekend in San Diego, and I figured that I hadn't had a weekend off in a while, so I went ahead. Shii came along as well, and we had a really fun time! It was a small convention, but we got to watch the masquerade, and watch Saiyuki at the pool side. We also took really silly pictures of each other near these pretty gazebos.

Fanime 2015: Kamiya Kaoru from Rurouni Kenshin, Kusakabe Ringo/Yuka from No-Rin!, and Tadokoro Megumi from Shokugeki no Soma, and unofficially, being the Mega Milk Ane-chan
- Con Experience: This was a super fun convention! We worked super hard on our Kenshin skit, and while not perfect, we really made the most of it. The car ride is always hilarious, and I fit the convention having lots of fun doing a comfy group cosplay. I seriously love my kimono, yet the journey there brought lots and lots of carpal tunnel. But it's so pretty. *_* I also had a lot of fun wearing Ringo, and I bought my MegaMilk shirt to wear while sewing, but I ended up unofficially cosplaying from it, and it was fun!

Anime Expo: Filia Ul Copt from Slayers TRY, Caster from Fate/Stay Night, and Miyuki/Cure Happy from Smile Pretty Cure
- Con Experience: This was a tough convention to judge because I feel like I only saw mere hours of it. The crowds were better and I had fun finding fellow Cures for our Pretty Cure Event! However, I sadly had to leave early and I also couldn't wear my Caster in the heat. I finished Filia, but hours before competing, our friend had to drop out due to illness and it was a little heartbreaking for how close we were. At the same time, it was a wonderful experience to make Filia and I'm so proud of my craftsmanship on her. I'll be rewearing her for ALA!

Along with those, I made my brother and Sagara Sanosuke cosplay, a Mudo Setsuna cosplay, and fixed up Zelgadis for him (I made it two years back for my friend Justin for our Slayers skit), Syaoran to match my Sakura for Shii, and I also completed a Link commission for another friend for Comic Con. That's nearly 12 costumes for myself, 3 commissioned/pieced together, and 5.5 cosplays extra for others! My mind is blown!

Out of the four conventions I have attended, I competed in 2 and won with my group awards! We got Best Group Performance in Journeyman for our Angel Virus skit at ALA and another materials award, and at Fanime we won for Best Dramatic Skit with Senbonzakura no Kenshin!

PMX is officially known as Pink-Roses Con.

I'm slated to be attending and competing at PMX this coming year, which is actually in about, less than three or four weeks now? Eek! I haven't started on anything besides patterns. I'm currently working on Hirose Yasuho from JoJo's Bizarre Adventure, Shirakiin Ririchiyo from Inu x Boku SS (the actual sewing, not wearing the old commission), and Luna from Sailormoon! My best friend Lyric is also making some really amazing acccompanying costumes since the main group will be taking a short break till ALA hits, where we have a really amazing project planned (and a dream project!).

It's always this time of the year when I tend to go through the transition of where I want to be when the cosplay season hits. Where am I? In a heck of a lot better place than last year. Even with my work and school season also hitting hard, I'm pretty satisfied that I have greatly improved on my crafting in midst of these hilarious times. The next projects will be super busy but I feel much more confident about my sewing that I hope I can get into the nitty-gritty and really enjoy this!

Next post when it'll be before 3am (likely 1am), I'll be posting actual pictures of progress work I have. I'll definitely be chronicling my cosplays as well!

Forever a goober.

I literally posted this at 3AM. Am I good or what?